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His online mask serves as a valuable ally. By not forcing a reconciliation between two contradictory selves, he can thus jump between the two, between anonymity and veracity. The other embraces the distinction between his identities, accepting that they are equally part of him – they may not be able to co-exist simultaneously, but they can serve to inform each other. His online mask only serves to disconnect him further.
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"Why are they allowed to be normal, happy, functional, despite not loving me, not understanding me, not being broken like me?" Despite being lost in a hyper-connected environment, he is unable to bridge that experience to his real environment. The two change, one unable to reconcile his online persona with his outer-line one and becoming more, and more, and more resentful, hateful of everyone who isn't like him. So they become the people they want to be, hidden behind the anonymous bulletin board system and encouraged by the other posters in this digital diaspora who are almost certainly the same, brought together by the ethereal dream-pop of the equally-intangible Lily Chou-Chou.
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They find themselves isolating from the world, spiraling down into a dark place they may not come back from, and with no one there to help them up they find solace in the 'ether'. There's no specific reason, just the endless stresses put on them by their home, school, social life. In it are two characters who hate their real selves. Yeah, I'm really being that person pointing out the complexities of online identity while on an online forum, but it's so hard not to talk about when All About Lily Chou-Chou is one of the greatest films at depicting such disconnect. When online, you are removed from your body, your history, your former 'self', an abstract entity allowed to re-construct a new one.